For the new Bad Machinery story I decided to do tall comics. I had been working in a landscape format for three and a half years, and for most of that time I had felt completely constrained by the format. Landscape creates a world of problems with pacing. Or rather, it created a world of problems with pacing for ME. I found myself slicing my two rows up into ever smaller slivers in an attempt to move things along.
The new format I'm drawing in isn't really double the size of the old pages - that would take twice as long to draw - it's probably a third to a half more real estate. I am sure that some kind of mathematical hero will tell me exactly how much more room to manoeuvre I have. But the additional space has already started to change the comics - there's room to be thinky and (hopefully) funny at the same time, to switch scenes mid-page, and explore ideas without running out of page.
The change of format feels right as well because Bad Machinery is about characters who are getting older with each case, and as they get older, the nature of the comic will change. The adventures of 11 year olds are distinct from what 14 year olds would get up to. I think there's room to make these changes, and define the cases from number 7 onwards differently.
(Case number 6 feels awkward and transitional to me, I'm not sure I want that one to come out as a book. But you can see what I was heading towards now)
When I've seen the Bad Machinery book racked in bookstores, it's a little disappointing to see it next to Batman, rather than with the kids' books. Needless to say, I intend to capitalise on this placement by including a violent night vigilante in all future stories. But the one thing I do like about the landscape format is how much wider than Batman my books are. Stuff you, Caped Crusader.